CURRICULUM VITAE - PETER CAMPBELL BENSTED (DK/UK/IRL)
Photo: Oleksandr Avramchuck (UA), 2025
Dramatist, theatre director, poet/writer, actor.
(specific work details/areas and press reactions are listed below)
Currently Artistic Director of the Cultural Association WoWiWo (WorldWideWords), Roskilde, Denmark.
Member of the Danish Actors Union.
Danish resident since 1983. Bi-lingual Danish/English.
Educated at Rose Bruford Theatre College, London.
D.o.b. 10.03.1954.
LINKS:
Peter’s own website: http://www.caimbeulcraic.com
WorldWideWords on Facebook: https://www.facebook.com/worldwidewords/
Augmented Reality Tales of War and Peace/ARTWP: https://augmentedrealitytales.eu/
The Story so far:
Period 2017 – 2026.
Current projects 2022-2026:
Artistic Direction – PATHWORDS, an augmented reality (AR) word/sound/vision project in 2025/2026 with local Roskilde youth/citizens creating AR story events for the Roskilde Light Festival 2026 and the Roskilde Literature Festival 2026.
Artistic Direction - “Augmented Reality Tales of War and Peace (ARTWP)” – a 36-month, four nation, cross-disciplinary, AR digital story-telling project supported by Creative Europe and the Danish Arts Council. Development: 2022-2024. Exhibition: running in 4 countries 2024-2026.
Poet/producer of UNION – a “photoluminescent” haiku exhibition co-created with local citizens for Roskilde Light Festival 2025.
Curator/translator – in 2022 of the Ukrainian AR poetry book “War Words”, with readings from the book, by the Ukrainian poets and myself, arranged at the Danish National Museum, Roskilde Music Festival and the Danish Parliament.
2021 - 2022:
Artistic co-creator with photographer/video-digital artist Malou Bumbum of AR project “Secret Windows” – a series of stories about women in the Danish pyschiatric system. Funded by the Danish Arts Council.
Poet/artist-in-residence (autumn 2021/spring 2022) – Augmented Reality Chapbook project with 400 Roskilde Gymnasium students. Funded by the Danish Arts Council/Roskilde Municipality.
2020:
Poet/installation artist - “Floating Sponges/Luminous Phrases”, autumn text/sculpture/textile installation/exhibition in Karens Minde Park (Copenhagen), created together with artists Annika Nilsson and Anna Rosa Hiort Lorenzen. Funded by Kongens Enghave Local Committee/Copenhagen City Council.
Poet/workshop direction - CARPe-Verbum, an AR project in Sct. Hans Gardens (Roskilde) with AR word-works co-created with local citizens (5-105 years). Funded by the Danish Arts Council.
Poet/artist-in-residence – “Re-Imagining the World/Re-Imagining the Word”. AR chapbook project with 400 Roskilde Gymnasium students. Funded by the Danish Arts Council/Roskilde Municipality.
Poet/installation artist - “Floating Sponges/Luminous Phrases”, outdoor text/sculpture project created with Swedish sculptor Annika Nilsson for Roskilde Light Fest 2020. Funded by Roskilde Municipality.
2018 - 2019:
Poet - AR haiku poetry chapbook “The Haikus of Hallucinogenia”.
Producer/co-artistic direction – SULA, a Scottish/Nordic arts exchange and development project. Cooperation between WoWiWo (Roskilde) and An Lanntair Arts Centre (Stornoway, Scotland). Funded by Nordic Culture Fund.
Local curator/artistic direction – of the “100% Foreign?” exhibition in Roskilde, as part of the national exhibition, in collaboration with Metropolis. Supported by the Danish Arts Council, Roskilde Municipality and the Nordea Foundation.
2015 - 2018:
Producer/artistic direction: Kärvän (2017) – a co-creative youth arts “story-performance” project bringing together seven artists, youth in public housing estates in Roskilde and young asylum seekers (13-21 years) using AR. Funded by the Danish Arts Council and Roskilde Municipality.
Dramatist - “The Crime of Silence (2016-2018)”, the development of manuscript for a theatre performance based on the Bertrand Russell War Crimes Tribunal held in Roskilde in 1967. Funded by the Danish Arts Council and Roskilde Municipality.
Poet/installation artist - The Burning Haiku Projects (2015-2018) @ Roskilde Light Festivals. Funded by Roskilde Municipality.
Producer/artistic direction - Art@Work - a two-year (2015-2017) presentational skills development project with five artists working with asylum seekers at Red Cross reception centres in the Sjælland Region. Funded by the Danish Immigration Service.
PREVIOUS WORK: 1974 – 2016.
Actions/activities 2009 – 2016
2015 – 2016: Writing on Walls (WoW) – creative producer for the multi-arts project (performance/street art/digital words). Funded by the Danish Arts Council.
2014 – 2015: Art@Work - artistic producer of the “arts and presentational skills” project for asylum seekers working with professional artists. Funded by the Danish Immigration Service and the Danish Arts Council.
2014: The Landai Project – artistic producer for the artistic exchange and development project for women poets from Afghanistan, Denmark, Zambia and UK/Malyasia. Funded by the Danish Centre for Culture and Development/DCCD (Danish Foreign Ministry) youth programme, autumn 2014.
2013 – 2014: Kultur Kamping Wagon – “Tunnel Visions”, artistic producer for this ongoing multi-arts, co-creation project. Four Danish artists (rap, street-art, digital text), three DIVA’s (Danish International Visiting Artists) artists and local youth transformed twelve tunnels in 2 housing estates into digital/visual-art urban arts spaces for the community. Funded by theDanish Arts Council.
2013: Occupy Utopia/Images Festival youth programme – “Burning Baobab Tree”, artistic producer/performance director - in collaboration with Taonga Tembo/Felix Chali from Barefeet Theatre (Zambia) - for a programme of music/dance/ performance/digital arts environment awareness workshops/ performances for and with Danish youth/students. Funded by Danish Centre for Culture and Development/DCCD (Danish Foreign Ministry)
2012 – 2013: Kultur Kamping Wagon – “KulturDK”, artistic coordination of the three-month National Youth Arts in Dialogue tour, facilitating creative dialogue between Danish youth and the Danish Ministers of Culture Uffe Elbæk (2012), and Marianne Jelved (2013). Funded by the Danish Ministry of Culture.
2012 - 2013: Kultur Kamping Wagon – “Word Works/Stories from the Edge”, artistic producer of a three-month workshop programme, and final multi-media performance with over a hundred young people and 12 professional artists (music, film, text, digital art) at The Radiator Factory, Copenhagen and INSP Arts Centre, Roskilde – for Herlev Municipality and World Wide Words. Funded by the Danish Arts Council.
2011 – 2012: Kultur Kamping Wagon – “Letting Hidden Voices Speak”, artistic producer/director of nine month workshop programme and 2 final multi-media outdoor events with for 20 young people and 5 professional artists at the Danish Royal National Library/European Youth Arts Meeting and a car-park outside the Netto supermarket in the north of Herlev. Funded by the Danish Arts Council.
2010: Around the Corner – artistic producer/director of multi-media street performance for 15 young people working with 4 professional artists (music, performance, solar energymusic) for Contacting the World Performance Festival at Contact Theatre, Manchester. Created in collaboration with the British Council.
2009/10: Artistic Director of the first World Wide Words Festival with a year round programme of performances and workshops culminating in the World Wide Words festival in the summer 2010 with over 40 artists and technical crew and 30 volunteers from over 20 diffrnt countries.
Other kinds of work 1974 - 2016:
2011 – 2016: Youth Arts Consultant for the Municipality of Herlev. Employer: The Municipality of Herlev - Culture and Youth Dept.
2008 – 2011: Centre Director of The Radiator Factory Youth Arts Centre (Ungdomskulturhuset Radiatorfabrikken) - purpose built Youth Arts Centre in the city of Herlev, Denmark. Employer: The Municipality of Herlev - Culture and Youth Dept.
2009: Founded the Cultural Association WoWiWo (World Wide Words) with the support of Region Sjælland, the Municipality of Roskilde and the Danish Arts Council.
2005 – 2008: Co-director of Østhus Culture Projects for Hillerød City Council with responsibility for the implementation of a series of inclusive arts projects. The mandate was to prioritise contemporary arts activities for and with young people. Particular emphasis was work with young people with non-Danish ethnic backgrounds and young people with learning difficulties. Employer: Hillerød City Council – Youth Dept. Projects included: "Artists in the House" - implementation of an artists-in-residence project, funded by the Danish Ministry of Culture, which brought together 5 professional artists (literature, theatre, film, music and dance) and young people with immigrant and refugee backgrounds.
2006 – 2007: artistic direction at LEVUK Centre of ongoing, internationally oriented arts work with mentally and physically handicapped youth. Funded by Hillerød City Council and Frederiksborg County Council.
2006: Organisation of the arts festival “Images of the Middle East in Hillerød”. The festival was arranged in collaboration with the national Images of the Middle East Arts Festival (Danish Ministry of Foreign Affairs).
2000 – 2004: Artistic Director of the city theatre Gadesjakket in Odense, Denmark.
Co-artistic direction, Odense International Theatre Festival 2003. Director of the theatre, dance and music programme for Asia On The Road – the largest programme of the national Images of Asia Festival 2003 (Danish Ministry of Foreign Affairs). Co-producer of the OrientationUK-DK Arts Festival 2002, with UK guests including Shazia Mirza and Francesca Beard (Odense, Copenhagen)
1985 – 2000: Artistic Director of Terra Nova Theatre, Danish theatre working particularly with cultural diversity and new theatre forms.
1999 – 2002: Expert adviser to the Council of Europe (Bosnia and the Russian Federation) on the role of Houses of Culture and Cultural Networks.
1995 - 1996: Artistic Director of Orient Bridge Festival - the Turkish-Danish Arts Programme as part of the Copenhagen City of Culture ‘96
1984 – 1985: Producer and artistic direction of a series of performances in co-operation with Copenhagen International Theatre (KIT).
1983: Director of the mobile international theatre Stage Space (London).
1975 – 1983: Founder and artistic director of The Half Moon Young Peoples Theatre, Stepney, East London.
1973 - 1974: Performer with The Other Oxfordshire Theatre.
Key adaption/directorial credits (theatre) in Denmark 1985 - 2018:
2016 – 2018: Dramatisation and direction (reading) of “The Crime of Silence”, a play based on the Bertrand Russell War Crimes Tribunal, held in Roskilde in 1967. Funded by the Danish Arts Council and Roskilde Municipality. City House, Roskilde.
2006: Dramatisation and direction of “East Side Stories”, a large scale out-door performance, co-created with a team of 5 artists and local citizens/youth, and presented in the housing estate of East City (Hillerød) – including 20 balcony scenes with 20 Romeos and 20 Juliets!!
2002: Dramatisation and direction of ”Crusade”, based on the books ”The Crusades Seen Through Arab Eyes” and ”Identities That Kill” by the Lebanese French writer Amin Maalouf (World Premiere). City Theatre, Odense, Denmark.
Adaptation and direction of ”The Son” based on ”The Gospel According to the Son” by Norman Mailer (World Premiere). City Theatre, Odense, Denmark.
2000: Director-in-residence - adaption and direction of the novel “Belle du Seigneur” by Albert Cohen for Le Plessis Theatres (Tours, France)
"Home" - a multi-media performance created together with 40 refugees. The Intercultural Centre, Århus, Denmark
1998: Artistic direction of the interactive piece “A Journey Unlike Any Other” about
the “journey” to Europe when you are a refugee. For Images Festival and The Danish
National Museum.
1997: Dramatisation and direction of "Haroun and the Sea of Stories" by Salman Rushdie. Terra Nova Theatre, Copenhagen.
1996: Dramatisation and direction of "The Little Prince" by Antoine de St. Exupery. Terra Nova Theatre, Copenhagen.
Dramatisation and direction of the short story "A Travellers Life" (Kjeltringsliv) by Steen Steensen Blicher. Terra Nova Theatre, Copenhagen
Direction of "Marindvor" - the “Romeo and Juliet” story from Sarajevo, by Branka Habota. Terra Nova Theatre, Copenhagen.
1995: Direction of "Enfantillages" (re-premiere) by Raymond Cousse. Terra Nova Theatre, Copenhagen
Co-direction of "Peters Case" by Paul Swift. Terra Nova Theatre, Copenhagen
1994: Direction of "Intime Avec Prevert" by Jean Claude Flamant - based on the writings of Jaques Prevert. Café Theatre, Copenhagen
1992: Dramatisation and direction of "Candide" by Voltaire. Terra Nova Theatre at Institut Francais, Copenhagen
1992: Direction of "State of Terror" by Coventry Belgrade. Terra Nova Theatre, Copenhagen
1991: Direction of "Enfantillages" by Raymond Cousse. Terra Nova Theatre, Copenhagen
1990: Direction/performance of "Border Lines" by Peter Bensted and Robert Parr. Terra Nova Theatre, Copenhagen
1990: Direction of "Revolution and Guillotine" by Jean Claude Flamant and Peter Bensted. Café Theatre, Copenhagen
1989: Direction of "Les Diablogues" by Roland Dubillard. Terra Nova Theatre, Copenhagen
1986 – 1987: Direction of "City Rats" by Peter Bensted. Terra Nova Theatre, Copenhagen
1985 -1986: Direction of "Woza Albert" by Percy Mtwa, Barney Simon and Mbongeni Ngema. Café Theatre, Copenhagen
Key writing/dramatisation credits 1977 - 2018:
2026 - 2018: Dramatisation (and later direction) of “The Crime of Silence”, a play based on the Bertrand Russell War Crimes Tribunal, held in Roskilde in 1967. Funded by the Danish Arts Council and Roskilde Municipality. City House, Roskilde.
2006 – 2007: "Perdus Dans La Fuite" (Lost in Flight) by Asef Soltanzadeh – initially for theatre/radio, later for publication.
2002: ”Crusade” – dramatisation (and later direction) of the books ”The Crusades Seen Through Arab Eyes” and ”Identities That Kill” by the Lebanese French writer Amin Maalouf.
2001: ”The Son” – dramatisation (and later direction) of ”The Gospel According to the Son” by Norman Mailer (world premiere)
1998 - 1999: Mall World - a major TV/multi-media production (DVD/CD and broadcast) for Danish National Television (Danish Broadcasting Company).
1996: ”Haroun” - dramatisation (and later direction) of the book by Salman Rushdie.
1995: ”The Little Prince” - dramatisation ( and later direction) of the book by Saint-Exupery.
”A Travellers Life” - dramatisation (and later performance) of Kjeltringsliv, a short story about “travelling people” in 19th c. Denmark, by Danish writer Steen Steensen Blicher.
1992: ”Candide” – dramatisation (and later direction) of the satire by Voltaire.
1990: ”Border Lines” - a new play based on the fall of the Berlin Wall. Co-written and performed with Robert Parr.
1990: ”Revolution et Guillotine” - new musical play, celebrating the 200th anniversary of the French Revolution, co-created with Jean-Claude Flamant.
1988: ”City Rats” - new play examining the Troubles in Northern Ireland.
1982: ”Blake” - new play on the life of the English poet William Blake.
1977: ”The Firemen” - new play commissioned by the Half Moon Young Peoples Theatre (written with a new writers grant from The Arts Council of Great Britain)
Key translation Credits:
2006 – 2007: “Perdus dans la Fuite” (Lost in Flight) - Asef Soltanzadeh
1993: “The Tin Soldier” (H.C. Andersen) - Teater La Balance
1992: “The Emperors Nightingale” (H.C. Andersen) - Teater La Balance
1992: “Night Driving” – by Ole Henrik Kock for the Danish Broadcasting Company (National Radio)
1990: “The Budgerigars” - by Erling Jepsen for the Danish Broadcasting Company (National Radio)
Peter Campbell Bensted: selected press - and a little of what others have said!
What others have said:
2014: “Peter Bensted thinks globally and acts locally in the Tunnel Visions Youth Arts Project. It is a high energy project, inspiring young people and bringing a breath of fresh air from the wide world to the housing estates of Lille Birkholm and Hjørtegården!”
The SKIS Magazine for Kultur Metropol Øresund.
2013: The Danish Minister of Culture Marianne Jelved said in March 2013, in connection with our Kultur Kamping Wagon (SMS haiku and street art) participation in her national Culture-DK 2012/2013 tour: “This is an inspirational arts project which engages youth via an exciting and different arts agenda. Thank you for all your hard work. It has been exciting for me to engage with young people across the country via the Kultur Kamping Wagon and the creative abilities of the associated artists.”
2011/12: Kultur Kamping Wagon – “Letting Hidden Voices Speak”.
“Peter. After your strong presentation with the Kultur Kamping Wagon artists and young people at the Royal National Library, I have recommended your work to the Minister (of Culture). I think the Kultur Kamping Wagon will be perfect for the coming Culture-DK project. Please expect to be contacted!”
Vibeke Skov Larsen, special adviser at the Danish Ministry of Culture.
2010: “Around the Corner” – multi-media performance with 15 youth from Herlev in
Copenhagen and 4 artists. Special Mention at Contacting the World Festival, Contact Theatre Manchester:
“Thank you Peter, and the Radiator Factory crew, for making this year's Contacting the World so memorable, ambitious and truly collaborative!”
Contact Theatre, Manchester - Baba Israel, Artistic Director.
2007/8 East Side Stories – a multi-media performance for 60 young people and 6 artists:
“A very different, a very positive and an extremely heart-warming promenade performance, which I know many others will benefit from.”
Commentary from Frederiksborg Amt Avis (regional daily)
2005/6 Images of the Middle East – major programme of performance, literature, dance and music in Hillerød as part of the national Images of the Middle East Festival.
“I never expected to see so much enthusiasm for an arts event from the local citizens of the East Side housing estates. This has been a fantastic artistic experience, and an eye opener with regard to arts and their potential to address social issues.” Thyge Enevoldsen - priest, Østbyen.
Some selected press quotes:
Woza Albert, 1985/6 - director. A play about apartheid – produced in collaboration with Svenske Riksteater (worlds largest theatre!)
"Strong and engaging ... well directed." Frederiksborg Amts Avis, Denmark. (Regional Daily)
"Tremendously good theatre under the direction of Peter Bensted." Arbeiderbladet, Norway. (National Daily)
"Woza Albert has everything you would expect of touring popular theatre." Sydsvenska Dagbladet, Sweden. (National Daily – equiv. Guardian)
"Peter Bensted directs this play with verve ... I was moved." BT, Denmark. (National Daily – equiv. The Sun)
City Rats, 1987/8 - writer/director. A play about the Irish Troubles.
"Powerful theatre that recreates Derry´s conflicts with few theatrical tools." Politiken, Denmark. (National Daily – equiv. Guardian)
"The problems of Northern Ireland depicted with subtle, human nuance and artistic flexibility." Jyllands Posten, Denmark. (National Daily - equiv. The Scotsman)
Border Lines, 1989/90 - writer, director, performer. A play about Europe after the fall of the Berlin Wall.
"A splendid performance - full of warmth and humour. Simple, intense, well done and thought provoking. Well worth seeing." Politiken - Denmark. (National Daily - equiv. Guardian)
"Bensteds poignant oppression countered by Parrs physical certainty create excitement and tenderness. Meaning and relevance catch, and keep, your interest."
Frederiksborg Amts Avis -Denmark. (Regional Daily)
Enfantillages, 1991 - director. A play about the words we speak to our children.
"A wonderful universe of grotesque characters that in their intensity send you straight back to your childhood. An excellent performance - thanks to Peter Bensteds well timed direction." Information - Denmark. (National Daily – equiv. Independent)
Candide, 1992 - director. A dramatisation of Voltaire’s satire.
"Terra Nova can really make theatre - and they perform Candide so it is alive and enjoyable." Politiken - Denmark. (National Daily – equiv. Guardian)
"In Peter Bensteds unstoppable production the story races across the stage, which means you are never bored, and often simply enjoy the entertainment of his inventiveness." Information - Denmark. (National Daily – equiv. Independent)
Falstaff, 1993 – dramatist, performer. A play based on Shakespeare’s Falstaff - a liar, a cheat, a drunk.
“Peter Bensteds interpretation digs deep into the man - shows the contours of the ever-present British struggle between power and people. An entertaining evening rich on perspectives."Politiken - Denmark. (National Daily - equiv. Guardian)
A Travellers Life (Kjeltringsliv), 1995 – dramatist, director, performer. A play about Denmarks meeting with "foreigners" in the middle of the 19th century. Written by Denmark’s second most famous writer - after H.C. Andersen - Steen St. Blicher.
"Can Blicher be dramatised? Peter Bensted apparently knows the dramatists art. The smell and taste of Blichers moorlands and his unmistakeable storytelling style have been well adapted to the stage." Jyllands Posten - Denmark. (National Daily – equiv The Scotsman)
Peters Case, 1995 - director. A play about children raised by wolves.
"It’s hard to describe the play because it was so different from other plays I’ve seen. A good thing was that we were in the play. I think it was a good play." Eva - 16 years (school student).
"The actors were really good. You really felt that you were part of it." Hanne Bech - 17 years (school student).
Le Petit Prince, 1995/6 – dramatist, director. A play based on Saint-Exuperys book.
"Funny, charming, poetically illuminated. Excellently resolved as minimalist theatre." Berlingske Tidende - Denmark. (National Daily – equiv. Daily Telegraph)
"Minimum props, maximum contact." Jyllands Posten - Denmark. (National Daily – equiv. The Scotsman)
Marindvor, 1996 - director. A new work based on the death of the so-called Romeo and Juliet couple from Sarajevo.
"Branka Habotas text is a series of small, sharp vignettes about life in Sarajevo. Director Peter Bensted - leader of Terra Nova - has brought the episodes together in a relevant, fluid and captivating performance." Jyllands Posten - Denmark (National Daily – equiv. The Scotsman)
Haroun and the Sea of Stories, by Salman Rushdie, 1997 - dramatisation/director. A play based on the book by Salman Rushdie.
"Terra Nova has transplanted Salman Rushdie's story to the stage, and in Peter Bensteds inventive direction the story is given wings and energy so it simply flies across the stage." Jyllands Posten - Denmark (National Daily – equiv The Scotsman)
Tempest(s) by Terra Nova's Borderland Ensemble, 1999 - producer. A performance about immigration, civil war, utopia and the individual.
"MOVING BORDERS. Terra Nova deliver hard-hitting, boiling-hot theatre that is close to the horrors of everyday refugee life. You WILL cry!" Ekstra Bladet - Denmark (National Daily equiv. – Daily Mirror)
Home, 1999 - director. A five-stage, promenade performance created together with 40 refugees from the Intercultural Centre in Århus, representing 12 countries, and based on the dreams and realities of their lives.
"Now this is theatre that changes lives!" Ebba Strange - 70 year old member of the Danish Parliament and Chairperson of the Board of the Intercultural Centre.
”The Son” based on the novel The Gospel According to the Son by Norman Mailer, 2001 – dramatisation/director. A contemporary reading of the life of Jesus Christ with Tunisian-German-Danish actor Samy Andersen.
”The Son” bubbles with talent. Peter Bensteds solo adaption is a convincing success.” Information - Denmark. (National Daily – equiv. Independent)
”The new testament, Norman Mailer, an actor, a director and a lighting designer combined to make an amazing experience. Samy Andersen fills the room completely - with his skinny body and his burning brown eyes. Peter Bensted has directed his actor in the finest details of the monologue and added a wealth of small but effective moments. Samy Andersen himself delivers a miracle. He turns Jesus into a person. A strong and relevant contemporary performance.” Fyens Amts Avis – Regional Daily, Denmark.
”Crusade” by Amin Maalouf, 2002 – dramatisation/director. A dramatisation/marriage of two books by the Lebanese/French writer Amin Maalouf looking at historic and contemporary relations,and understandings, between Western Europe and the Middle East.
“The Odense City Theatre Gadesjakket doesn’t have small goals! And comprehension and confession are quite some goals! Comprehension for the past, because this is the only way that we can understand the present. And confessions regarding fundamentally different global understandings, because this is the only way to make that which is “foreign“ comprehensible. And then, just as we think that we have “got the point“, and the whole story is about to end on moral high ground, with peace and human understanding here on earth, a surprising ending effectively balances questions of cause and effect, aims and means, and the power of belief and values - whether Western or Muslim. Fadime Turan, Lai Yde Holgaard and Thomas Leth Rasmussen perform their three roles with great depth, and with plenty of space for further thought - in the midst of all the comedy.” Jyllands Posten – Denmark (national daily – equiv. The Scotsman).
“Crusade may be a “small” play, but it is an important one, because in its use of “play” and entertainment, it makes us a little wiser about ourselves and the world we all inhabit. Unbearably funny in sequences that not only make us laugh out loud, but also allow us to understand that we are all potential traitors to humanity. Gadesjakket deliver a full-blooded basis for debate. Exciting story-telling which is lifted from its dark and serious theme with a releasing humour. All teenagers and their parents should be press-ganged to see this play.” Fyns Stiftstidende (regional daily)